Online Workshop – How to Make Longstitch Bindings

Join our new live online workshop and make longstitch bindings

This online workshop in longstitch binding teaches a traditional method of bookbinding that originates from Germany and dates back to the late 14th century. In this method, sections of paper are sewn directly through holes in the covering material, giving support to the spine, and flexibility to the book. It is a simple and extremely rewarding process and one that can be easily adapted once practiced, to include more complex designs and decorations.

We will provide materials in advance, as listed below, so that we all have the same items at the start of the workshop. We cannot provide tools, as we do at in-person workshops. The list of tools required is also below, some of these can be replaced with tools that you have at home, others may need to be purchased. When booking the course, you will also receive a 15% discount to the shop so that you can buy the tools direct from us if you choose.

We will cover:

  • the importance of grain direction
  • preparing a textblock
  • folding and trimming paper
  • preparing sections for sewing
  • preparing covering material
  • sewing the textblock
  • finishing the cover

You will come away with:

  • one beautiful A6 hand-made longstitch binding in leather
  • a template to continue to make your own bindings at home
  • an introduction into bookbinding
  • a basic understanding of the structure of bindings

The materials pack

We will send you:

  • Textblock paper
  • Covering material
  • Metal button for cover
  • Template to cut and prepare the leather
  • Complimentary needle and linen thread

You will need:

  • A cutting mat
  • A sharp knife – Stanley knife or a scalpel
  • An awl (aka bradawl / pricker)
  • A cobblers knife (a sharp medium sized kitchen knife may be used, at your own risk)
  • A bonefolder
  • A piece of waste cardboard
  • A metal ruler
  • Paper weight
  • Pencil
  • Scrap paper

How it works

Once you book you will receive an email containing a link to a zoom meeting and instructions on how to join that meeting. You will also receive a code for a discount in the the shop, if you would like to buy tools from us.

Online Workshop – How to Make Basic Pamphlet Bindings

decorative pamphlet bindings

Join our new live online workshop and make basic pamphlet bindings

This online workshop in basic pamphlet binding is the first stage of learning bookbinding, and is essential in understanding how a book is created. It allows the binder to gain experience in working with the grain of the paper, the importance of accurate hand-skills, understanding the terminology of a book and putting it into practice. It is a simple and extremely rewarding process and one that can be easily adapted once practiced, to include more complex designs and decorations.

We will provide materials in advance, as listed below, so that we all have the same items at the start of the workshop. We cannot provide tools, as we do at in-person workshops. The list of tools required is also below, some of these can be replaced with tools that you have at home, others may need to be purchased. When booking the course, you will also receive a 15% discount to the shop so that you can buy the tools direct from us if you choose.

We will cover:

  • the importance of grain direction
  • preparing a textblock
  • folding and trimming paper
  • creating end papers
  • sewing a single section textblock
  • finishing the covering
Foredge of basic pamphlet binding

You will come away with:

  • two A6 hand-made pamphlet bindings with two sewing styles
  • an introduction into the hand-skills required for bookbinding
  • a basic understanding of the structure of bindings

The materials pack

We will send you:

  • Textblock paper
  • Covering material
  • Decorative paper
  • Endpapers
  • Complimentary needle and linen thread

You will need:

  • A cutting mat
  • A sharp knife – Stanley knife or a scalpel
  • An awl (aka bradawl / pricker)
  • A cobblers knife (a sharp medium sized kitchen knife may be used, at your own risk)
  • A bonefolder
  • A piece of waste cardboard
  • A metal ruler
  • Paper weight
  • Pencil
  • Scrap paper

How it works

Once you book you will receive an email containing a link to a zoom meeting and instructions on how to join that meeting. You will also receive a code for a discount in the the shop, if you would like to buy tools from us.

Treasure Island | A Fine Binding

June 2016 will see the return of the Worthing Artists Open Houses to our seaside town. As a craftsperson, I have previously enjoyed the increased members of the public coming to say hello at The Book Hut, but never directly taken part. This year, however,  I will be much more involved, with two projects on display and a workshop at the Worthing Library, it’s all go at this end. The first, and key project, is that which is introduced here – Treasure Island – a fine binding of my own creating, that will be on display at StudioFreer in June. It is the first fine binding I have made for approximately four years, and the very first which will be available to buy.

TREATMENT

  • Initially the cover was removed from the binding and kept for future use in the design process.
  • The textblock was then placed in the press and the spine lining and adhesive (animal glue) was removed manually with a spatular, having been previously softened with a wheat starch paste poultice.
  • The sections were then cleaned individually and put in the press for flattening.
  • The outer folio of each section was then guarded at the spine with a 12gsm tengujo tissue to reinforce them, and placed back in the press.
  • Made endpapers were created using gold leaf and paint and sewn along with the textblock.
  • Following pressing, it was sewn onto three tapes.
  • All three edges were paired and gilded in gold leaf.
  • Endbands were sewn in gold and black silk.
  • The spine was lined with fray not and manilla.
  • The boards were laced in and covered in a smooth cartridge paper and sanded.
  • The binding was then covered in a light green goatskin.
  • The cover decoration consisted of the first chapter of the book blind tooled onto the cover, and the title brought out in gold leaf.

David Barber’s Sketchbook

David Barber's Sketchbook

David Barber’s Sketchbook
c.2014
Flexible binding in full tan goatskin. Sewn landscape onto five cords and trimmed, with endbands in beige and green silk.
Paper was alternated between Surrey Cartridge and Windsor & Newton Sketching & Drawing Paper.
276×207 (WH), 15 sections, 3 bifolios per sections

David Barber’s Sketchbook was designed with specific requirements from the artist. The layout was landscape to allow the artist to draw across the double page spread, it was also imperative that the binding opened well when completed giving access to the gutter of the book. The texblock was created from two different types of paper alternating between each section, one more appropriate for watercolour, the other for drawing in ink.

The text block was sewn onto five cords, which were then laced into the boards. The boards are lined to allow for the pull of the leather on the front and the leather left plain for the artist to decorate. The endpapers were made from the Surrey Cartridge paper, again, designed for use from the artist.

For more examples of fine bindings and newly bound volumes, have a look at bookbinding. For more information on the Artist, have a look at his interview on Worthing Art.

David Barber's Sketchbook
The first drawing by David Barber

David Barber with his sketchbook
David Barber with his sketchbook

House work and painting at The Book Hut

This is a week for house work and painting at The Book Hut – the sign has had a fresh, and slightly more hut-coloured, coat of paint, and a logo. The crates have also been painted inside, I will be putting shelves in them for good book storage soon, as they are so adaptable!

Introducing The Book Hut

As a book and paper conservator, I have worked at The National Archives and the National Conservation Service in London for many years, as well as taking on private commissions. Then, when an opportunity arose last Summer to open a permanent studio as part of Worthing’s East Beach Studios, I grabbed it with both hands and The Book Hut came to life. Situated on Worthing’s seafront next to artists’ studios, The Book Hut is just a short stroll along from the pier.

At The Book Hut I am able to offer a range of services in the conservation and restoration of books, as well as bespoke bookbinding, for individuals, private collections and businesses. I also hold a range of workshops and tutorials for both adults and children, including the basics in bookbinding and paper marbling for children.

Having taken on the hut in August last year, it has been a busy few months in the run up to Christmas, with conservation and binding projects coming in, two new workshops in place and several open days along the Worthing Seafront.

If you have any projects you would like to discuss, please just stop by the hut, or send me an email. If you are interested in attending any workshops, please just sign up to the blog in the right-hand panel, and I will send out any details as they come up, or check the website for more information at www.thebookhut.co.uk. The Book Hut is open from Saturday to Tuesday 10:00-17:00, so please do drop and say hello!

Maudie Casserly
Maudie Casserly, Book and Paper Conservator

Thank you very much to Lorraine Heaysman Photography and Luke Casserly Photography for the fantastic images.