Artist book of prints by four artists
Fully bound in green parchment
BINDING The heavy parchment cover was damaged in several places, including a piece missing from the back-board and a frayed split down the spine. The cover was pasted onto the boards, and also either lined or placed on lined boards. The boards were warped and had heavy corner damage. Other than this they were fairly solid and reusable.
TEXTBLOCK was packed sewn, though it was mostly broken. There was heavy paper damage with tears along the spine, the edges of the book and two loose leaves. The edges were brittle throughout the book . It was extremely dirty throughout.
ADDITIONAL INFORMATION There were two heavily damaged and unusable green ties.
The finished book
Board attachment technique
Ribbon repaired and supported
Mechanically cleaned throughout with a chemical sponge.
Pulled apart the sewing, keeping the back board and final section attached together as it was part of the last section.
Carried out paper repairs to the textblock and section folds using various appropriate Japanese tissue.
Consolidated corners of the boards,including recreating one using layered grey board. They were left uncovered.
Pressed the boards to flatten where possible, without humidification.
Attached new cords to the old cords by sewing and pasting them together.
Resewed the sections with packed sewing, using the back board as the primary section to sew from, as final section was still attached.
Cords were laced into the boards using the original method.
Spine backed with PaperNao K37.
Rebacked with parchment, toned with Selaset Dyes.
Created and attached a net pouch to preserve the green ties.
BINDING had structural stress due to large amounts of inserted material. The front board was damaged and detached from spine and sewing supports. The remaining spine was split from the front board and worn at head and tail. The first section was loose.
TEXTBLOCK paper had some tears and edge damage on first pages. Four pages had been torn out leaving stubbs remaining. The pastedown was detached along with the board, leaving an outside hook at the back of first section.
ADDITIONAL INFORMATION Large amounts of inserted newspaper cuttings were protruding from the textblock causing discolouration and edge damage.
Front board brought forward
Mrs E. Neville Jackson’s Scrapbook
Cleaned throughout with chemical sponge and loose material was removed and documented.
Spine was lifted allowing reattachment of the loose first section by sewing to the spine.
The texblock and inserted material were humidified where necessary and repaired using toned tissue.
Areas of loss were infilled with a sympathetic western paper and supported with a Japanese tissue.
An article was removed and re-adhered using a hinge, as to remain in its original state would have meant later damage to the article and book.
Loose endpapers were given an outside hook and attached by pulling through the sewing supports and adhering to the spine.
Spine lined with Usumino tissue.
Front board was attached with Usumino tissue and lined up against the foredge to provide protection to the textblock.
Exposed spine area was covered in tissue toned with acrylic paints.
Hinge repair to inside of boards to support attachments.
Clam shell box with label
Open clam shell box
Plastizote supporting protruding material
Four-flap folder created to support loose inserted material
Bespoke clam shell box made to house both book and four-flap folder together, supporting the protruding material within the book by using different levels of plastizote.
Well I definitely passed a marker today, as I have finished the paper repairs for the toys scrapbook – Mrs E. Nevill Jackson’t Scrapbook from the Museum of Childhood. They have taken a long time as many of them protruded from the edges of the book, meaning they have been crushed over the years.
Some pictures of the book and its inserts before I completed the work.
In order to repair these pages, many of them had to be locally humidified first, as they were folded in on themselves, and opening up the folds without the introduction of moisture, would have broken them. I separated the local humidification from the rest of the book using melinex and effectively sectioned off a page at a time. Once humidified, they each had to be dried between blotters before I could repair them. The repairs were then done using japanese tissue (usumino) for the support and a toned thicker tissue for any infills, as can be seen in my last post.
The repaired pages…
So obviously now the inserts are much bigger than the book, as they would have been originally. In order to prevent them being crushed again, I am going to have create some sort of chemise cover to extend the boards and protect the inserts – so watch this space!!!
Some time back in a post earlier in the year, I mentioned that I would potentially be working on a scrapbook from the Museum of Childhood. Well I was lucky enough to be allowed that project to work on as part of my MA final project, along with a recipe scrapbook that I am working on at college.
So I thought I would write an update of the work I have been doing on this second scrapbook, whilst at the V&A. This past week, I have been working on substantial paper repairs for the material that is sticking out of the scrapbook. These are items that, due to their oversize, have been bashed and damaged – so I am repairing them.
It’s quite short and picture heavy, this one, but I will try and post some more soon!
Methyl Cellulose is on a par with wheat starch paste in its usefulness to conservators. It is most commonly used as an adhesive, which is both reversible and water soluble, though not as ‘wet’ as wheat starch paste. It can also be used in a poultice form for removing spine pieces, and is regularly used for consolidating paper edges, where they may have lost strength over time. In each case, the material and media must be tested before MC is used.
This particular recipe is used at the V&A to make MC that can be kept for a month or so, out of the fridge.
Methyl Cellulose 5%
5g Methyl Cellulose
100ml water – 75ml hot and 25ml cold
– put the MC powder into a jar which has a lid.
– pour the hot water on top and stir.
– pour the cold water on top of this and stir again until powder is gone.
– leave for about 1 hour to cool.
– put lid on and leave until clear, about 24 hours.
I’ve just spent a fabulous morning at the Museum of Childhood having a look for books for my MA project, thanks to Catherine at the museum and Jane at the V&A, I am hopefully going to be taking a book from this museum and working on it under Jane’s supervision at the V&A – very exciting!! Pictures of the chosen book will hopefully come soon!
In the meantime, I did have a peruse of the shelves in the museum itself and felt like I had stepped back in time and onto the playground at my primary school! So here are some pics if you remember any of them!
This little monster plagued my best friend for much of her youth!
I still have this doll somewhere!
And one of these, I think it’s going on eBay at some point soon…