So after the excitement of the Rolled Object Project over at the V&A, and a well deserved rest on the following bank holiday Monday, it was then back to work as usual at the V&A on Mondays.
These past two Mondays I have been back in the National Art Library making full flap covers for the collection of Vogue magazines that the V&A has. These are particularly popular items that are regularly requested at the library so are having covers for extra protection and to prevent any red-rot. This has been excellent practice for me as I have not done one for a while. Some pics from the covers:
You should be able to see here how extensively the wraps cover the book, not only do they got over the foredge, but the head and tail of both sides as well. After some practice I have honed my technique and no longer fully cut the corners of the flaps, which you can see in one of the close up images, this is a great technique to use to ensure the corners are covered, which can sometimes be tricky when fully trimming the edges.
Since December I have been volunteering on Monday’s at the V&A, which has been an amazing experience and taught me huge amounts. This week, however, has been a little different – I am part of a volunteer group at the V&A working on the ‘Rolled Storage Objects’ in the prints and drawings department. Its currently stock take week for the libraries so all of them are closed for the next two weeks and they have taken the opportunity to sort out a small collection of rolled pieces that have been in a cupboard untouched, in some cases for up to 100 years!
As you might imagine, it has been fascinating – we have already uncovered a collection of William Morris wallpapers that the V&A didn’t realise they had prints of. The idea has been to get all the pieces out and flatten them through humidification and make any repairs where necessary. As many conservators will know, this always takes longer than expected, as the repairs are always worse than one might think, and the collection larger than previously thought!
I have a few pictures of one particular piece that I have been working, which was really interesting. When unrolled, there were about five or six charcoal drawings, as can be seen here, all grubby, curly and damaged – so we set to work – cleaning both sides and putting repairs on the verso, which in some cases were tears going all across the page. Then we found out that the drawings were study cases for some of the sculptural work of the building itself – Amazing! The sculpture form is called Sgraffito, and originally would have been white lines carved out of black (a bit like scratching colours through a black was crayon drawing!). So dutifully we then went and had a look at the side of the building where they were, and there is was, the piece I had been working on – inscribed in the wall for the past 100 odd years – AMAZING!!
Over the past four weeks, and for the next two, four of us gals from Camberwell have been spending the day at the Museum of Domestic Design and Architecture (MoDA), where we’ve been making archival boxes for their library. The reason for this being that MoDA, and the part of Middlesex University to which it is connected, is moving (quite frankly this seems like an excellent idea to me, as its current location in Cockfosters, seems like the other side of the world after two hours on the tube!!).
Anyway, as any good trainee book conservator will know, books must be protected in a move, especially those which may be fragile in any way – this could be the cover, spine, boards, text block – anything really. So we’ve been making phase boxes for the badly damaged books and melinex wrappers for reasonable conditioned books with their dust jackets in tact. I’m still not that keen on these glued phase boxes, there seems too much margin for error, but I’m getting better at them.
The museum has a large collection of books on domesticity including cookery books, interior design, house keeping etc, many of which date back to the early 20th century, and some possibly earlier still. An excellent collection and great museum, well worth a visit if you’re in the area.
Here are a couple of pictures of the studio – I’m always a fan of seeing studio pictures.
Well last Friday our class spent a really interesting afternoon at the V&A seeing the conservation being done on the Dickens manuscripts for David Copperfield – these were the actual pages that Dickens wrote – amazing!
Here you can seen some of the pages as I imagine they would have looked like on Dickens’ desk – all piled up and scribbled on! It’s unlikely these will be seen again in these piles as they are being re-bound in manuscript volumes for safe keeping at the National Art Library at the V&A.
The V&A are working through all the Dickens manuscripts they own and rebinding them, as the way they were previously bound (tipped on at three edges) was starting to pull at the pages. In their new housing the pages will be tipped on one edge and held down on the opposite side with a paper tag similar to what you would find in a photo album (as in the image above). This means the pages will be able to move around if they need to.
The covers of the manuscripts are in a replica marble paper that matches the original paper that covered the first bindings of these manuscripts that happened around Dickens’ time. These original bindings were taken apart in the 60’s by the V&A and rebound – this is what is now being updated.