Making a hole punching cradle is made easy with this little template, which I hope will be useful. Designed especially to aid punching holes in signatures for bookbinding, this little cradle will help get the holes evenly placed. Please download the PDF below and follow the directions to put it together. The directions are printed onto the template for ease as well.
Stick the template to some card, approx 2mm thick.
Using an awl/bradawl, pierce the 8 black dots.
Cut all the dotted lines using a craft knife.
Assemble all the bits.
Tape along the middle gap from the back with strong tape, e.g gaffa tape
Please do not share this template, instead share your creations and tag @thebookhutter.
I will be going over this design as part of my #teatimetutorials on instagram, please do come and have a look and join in with your own cradles if you make them.
This fine binding is of Jane Eyre, by Charlotte Brontë, and is one of my favourite books. Making this was a rare chance for me to work on a project that was entirely my own without the restraints of client requirements. I aim to make a fine binding for myself once a year, but with 2020 being slightly challenging for everyone, this one from 2019 was my last. I was fortunate to have it exhibited in a few locations including at the Worthing Museum and East Beach Gallery.
The fire at Rochester was always one of the most exciting parts of the book, evoking a massive change in the lives of the characters and a gripping aspect of the storyline. I was keen to create a design that embraced this in a wild and unkempt manner, hence the use of paint splatter – a method that I have little control over, much like a raging inferno of paint! I particularly like the escaped paint at the windows, giving the impression of fire escaping from the building.
My fine bindings are often for sale, this one is no exception and can be purchased through my shop – though there is, and will be, only one!
original textblock
the content
a classic cloth binding
spine all cleaned up and ready for next stages
layering up paint on the cover
TREATMENT
Initially the cover was removed from the binding and kept for reference.
The textblock was then placed in the press and the spine lining and adhesive (animal glue) was removed manually with a spatular, having been previously softened with a wheat starch paste poultice.
The spine was then reshaped to re-create the round.
Made endpapers were created and sewn onto the textblock.
Endbands were sewn in yellow and black to match the cover design.
The spine was lined with fray not and manilla.
The boards were laced in and covered in a smooth cartridge paper and sanded.
The binding was then covered in a black goatskin.
The cover decoration was blind tooled and then sprayed with acrylic paint.
This online workshop in longstitch binding teaches a traditional method of bookbinding that originates from Germany and dates back to the late 14th century. In this method, sections of paper are sewn directly through holes in the covering material, giving support to the spine, and flexibility to the book. It is a simple and extremely rewarding process and one that can be easily adapted once practiced, to include more complex designs and decorations.
We will provide materials in advance, as listed below, so that we all have the same items at the start of the workshop. We cannot provide tools, as we do at in-person workshops. The list of tools required is also below, some of these can be replaced with tools that you have at home, others may need to be purchased. When booking the course, you will also receive a 15% discount to the shop so that you can buy the tools direct from us if you choose.
We will cover:
the importance of grain direction
preparing a textblock
folding and trimming paper
preparing sections for sewing
preparing covering material
sewing the textblock
finishing the cover
You will come away with:
one beautiful A6 hand-made longstitch binding in leather
a template to continue to make your own bindings at home
an introduction into bookbinding
a basic understanding of the structure of bindings
Once you book you will receive an email containing a link to a zoom meeting and instructions on how to join that meeting. You will also receive a code for a discount in the the shop, if you would like to buy tools from us.
This online workshop in basic pamphlet binding is the first stage of learning bookbinding, and is essential in understanding how a book is created. It allows the binder to gain experience in working with the grain of the paper, the importance of accurate hand-skills, understanding the terminology of a book and putting it into practice. It is a simple and extremely rewarding process and one that can be easily adapted once practiced, to include more complex designs and decorations.
We will provide materials in advance, as listed below, so that we all have the same items at the start of the workshop. We cannot provide tools, as we do at in-person workshops. The list of tools required is also below, some of these can be replaced with tools that you have at home, others may need to be purchased. When booking the course, you will also receive a 15% discount to the shop so that you can buy the tools direct from us if you choose.
We will cover:
the importance of grain direction
preparing a textblock
folding and trimming paper
creating end papers
sewing a single section textblock
finishing the covering
You will come away with:
two A6 hand-made pamphlet bindings with two sewing styles
an introduction into the hand-skills required for bookbinding
a basic understanding of the structure of bindings
Once you book you will receive an email containing a link to a zoom meeting and instructions on how to join that meeting. You will also receive a code for a discount in the the shop, if you would like to buy tools from us.
This volume had substantial self-adhesive tape damage, having been kept in one piece by taping the spine back onto the boards, and taping the first section back together. Some of the tape had become brittle, stained and lifted from the paper, however the majority remained tacky and still adhered. Once the tape and tackiness had been removed, I was able to go about repairing the textblock, attaching the boards and creating a new spine. The brief from the client was to retain as much of its originality, wear and age as possible.
Extended sewing stations
Tape damage
Cleaned spine
Substantial tape damage
Detached boards
CONDITION
Substantial tape damage to endpapers, first and last sections.
Sewing is deteriorated and sections are loose at front and back.
The bulk of the sewing is still in tact.
First fly leaves and contents pages are damaged and detached.
Foxing throughout – to leave as is.
Endpapers are loose, buckram guttering is damaged at the back, front is loose, tape damaged, but still in tact.
Leather spine has become detached and re-adhered using self adhesive tape to the leather edges of boards.
Boards and corners are deteriorated at edges.
Spine lining is brittle and deteriorated.
TREATMENT
Remove self-adhesive tape from cover, spine, endpapers, first and last sections.
Repair first pages and recreate first and second sections.
Remove spine lining.
Extend sewing supports.
Sew loose sections back onto textblock
Repair endpapers and create new buckram gutter on back end paper.
Line spine with aerocotton and manilla.
Create hollow and false raised bands.
Split boards, lift board edges and neaten.
Reattach boards to textblock.
Create new spine piece from toned goatskin.
Reback volume.
Reattach original spine piece and consolidate.
Consolidate board edges and corners.
If you have a damaged book that you would like to discuss, please do get in touch.
In this online workshop, we will be creating Japanese Stab Bindings. This binding is often associated with decorative books and hand bindings due to their attractive sewing techniques, that once practised, can be adapted to incorporate more complex designs. It is a useful method for binding single leaves, such as artwork, as there is no need for adhesive, allowing sheets to be quickly bound after they have been created.
The Japanese Stab Binding actually originates from the Chinese ‘butterfly binding’, one of the earliest paper bookbinding techniques in Asia where single sheets were pasted together, surrounded in a wraparound cover and stitched along the edge.
We will provide materials in advance, as listed below, so that we all have the same items at the start of the workshop. We cannot provide tools, as we do at in-person workshops. The list of tools required is also below, some of these can be replaced with tools that you have at home, others may need to be purchased. When booking the course, you will also receive a 15% discount to the shop so that you can buy the tools direct from us if you choose.
We will cover:
the importance of grain direction
preparing a textblock
folding and trimming paper
creating sewing guides
sewing Japanese stab style
additional sewing patterns
You will come away with:
two A5 hand-made Japanese stab bindings with two sewing styles
an introduction into the hand-skills required for bookbinding
a basic understanding of the structure of bindings
Once you book you will receive an email containing a link to a zoom meeting and instructions on how to join that meeting. You will also receive a code for a discount in the the shop, if you would like to buy tools from us.