On Eagle’s Wings

Today I was back at the V&A for the first time in the New Year – it’s always nice to return after a break and find familiar faces, so it was a happy return!

The day was also boosted by seeing On Eagle’s Wings exhibition at the museum. This is an exhibition on comic books that myself and a collegue have been working on for the last month or so, each of us doing paper repairs on the covers and display spreads of the comics. Having been involved since the start of the conservation work, it was really nice to see the exhibition come to fruition.

Due to copyright issues, I was not able to get any close-ups of the comics themselves, but in the images below you can see the general layout. It is located outside the Twentieth Century gallery and takes up four of the cabinets there. One of the cabinets is specifically dedicated to the girls comics, which I worked a lot on. Girl is the counterpart to Eagle, which is the key comic book for the exhibitions. The latter was an extremely popular boys comic whereas Girl was one of the leading girl’s comic books, including such items as Wendy & Jinx (a detective duo) and how to do flower arrangements.

I was pleased to see that of those comics that I had worked on, I was not able to see the paper repairs, which is a good sign!

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Mondays at the V&A – Comic love

As you may know, my Mondays at the moment are spent at the Victoria & Albert Museum in Kensington, working on a variety of conservation projects and helping where possible.

Today this meant continuing conservation work on a selection of comics for a forthcoming exhibition in 2012, though unfortunately it’s not currently listed on their What’s On list. I had started work on these comics a couple of weeks back, but this week saw a more progressive leap forward and will hopefully a move onto the displays next week.

The collection I was working on today were all girls comics from the mid 20th Century, including ones like Mandy, Lady P, Princess Tina and my personal favourite – Girl, the female version of Eagle, which includes items such as how to arrange dried flowers!

'Girl' requiring some repair work around the edges

The repairs we are doing are paper repairs to the covers and any spreads that might be shown in the exhibitions. Due to the quality of the paper, there are often several tears around the edges of the sheets, and a substantial amount of damage to the spines. Today I also came across a couple of rusty staples that had to be removed, de-rusted and returned to the comics. I have some pictures below:

A common type of tear along the centre where the comic would have been folded in half
A (hopefully) fairly invisible repair along the spine, where it was deteriorating
De-rusted staple ready to go back into the comic
The staple back in the comic

I’m quite looking forward to seeing the exhibition and the fruits of my labour!!

Mondays at the V&A

So after the excitement of the Rolled Object Project over at the V&A, and a well deserved rest on the following bank holiday Monday, it was then back to work as usual at the V&A on Mondays.

These past two Mondays I have been back in the National Art Library making full flap covers for the collection of Vogue magazines that the V&A has. These are particularly popular items that are regularly requested at the library so are having covers for extra protection and to prevent any red-rot. This has been excellent practice for me as I have not done one for a while. Some pics from the covers:

You should be able to see here how extensively the wraps cover the book, not only do they got over the foredge, but the head and tail of both sides as well. After some practice I have honed my technique and no longer fully cut the corners of the flaps, which you can see in one of the close up images, this is a great technique to use to ensure the corners are covered, which can sometimes be tricky when fully trimming the edges.

A week at the V&A

Since December I have been volunteering on Monday’s at the V&A, which has been an amazing experience and taught me huge amounts. This week, however, has been a little different – I am part of a volunteer group at the V&A working on the ‘Rolled Storage Objects’ in the prints and drawings department. Its currently stock take week for the libraries so all of them are closed for the next two weeks and they have taken the opportunity to sort out a small collection of rolled pieces that have been in a cupboard untouched, in some cases for up to 100 years!

The humidification chamber

As you might imagine, it has been fascinating – we have already uncovered a collection of William Morris wallpapers that the V&A didn’t realise they had prints of. The idea has been to get all the pieces out and flatten them through humidification and make any repairs where necessary. As many conservators will know, this always takes longer than expected, as the repairs are always worse than one might think, and the collection larger than previously thought!

Original William Morris wallpaper

I have a few pictures of one particular piece that I have been working, which was really interesting. When unrolled, there were about five or six charcoal drawings, as can be seen here, all grubby, curly and damaged – so we set to work – cleaning both sides and putting repairs on the verso, which in some cases were tears going all across the page. Then we found out that the drawings were study cases for some of the sculptural work of the building itself – Amazing! The sculpture form is called Sgraffito, and originally would have been white lines carved out of black (a bit like scratching colours through a black was crayon drawing!). So dutifully we then went and had a look at the side of the building where they were, and there is was, the piece I had been working on – inscribed in the wall for the past 100 odd years – AMAZING!!

Some pics:

The recto of the study drawing
The verso of the study drawing
A large tear across the drawing
The repair of that large tear
The study drawing in place on the building
The full face of the building

Mondays at MoDA

Over the past four weeks, and for the next two, four of us gals from Camberwell have been spending the day at the Museum of Domestic Design and Architecture (MoDA), where we’ve been making archival boxes for their library. The reason for this being that MoDA, and the part of Middlesex University to which it is connected, is moving (quite frankly this seems like an excellent idea to me, as its current location in Cockfosters, seems like the other side of the world after two hours on the tube!!).

Anyway, as any good trainee book conservator will know, books must be protected in a move, especially those which may be fragile in any way – this could be the cover, spine, boards, text block – anything really. So we’ve been making phase boxes for the badly damaged books and melinex wrappers for reasonable conditioned books with their dust jackets in tact. I’m still not that keen on these glued phase boxes, there seems too much margin for error, but I’m getting better at them.

The museum has a large collection of books on domesticity including cookery books, interior design, house keeping etc, many of which date back to the early 20th century, and some possibly earlier still. An excellent collection and great museum, well worth a visit if you’re in the area.

Here are a couple of pictures of the studio – I’m always a fan of seeing studio pictures.