Today I was back at the V&A for the first time in the New Year – it’s always nice to return after a break and find familiar faces, so it was a happy return!
The day was also boosted by seeing On Eagle’s Wings exhibition at the museum. This is an exhibition on comic books that myself and a collegue have been working on for the last month or so, each of us doing paper repairs on the covers and display spreads of the comics. Having been involved since the start of the conservation work, it was really nice to see the exhibition come to fruition.
Due to copyright issues, I was not able to get any close-ups of the comics themselves, but in the images below you can see the general layout. It is located outside the Twentieth Century gallery and takes up four of the cabinets there. One of the cabinets is specifically dedicated to the girls comics, which I worked a lot on. Girl is the counterpart to Eagle, which is the key comic book for the exhibitions. The latter was an extremely popular boys comic whereas Girl was one of the leading girl’s comic books, including such items as Wendy & Jinx (a detective duo) and how to do flower arrangements.
I was pleased to see that of those comics that I had worked on, I was not able to see the paper repairs, which is a good sign!
This lecture took place a while ago now, and it has taken me a while to write anything about it, though that does not make it any less interesting. Unfortunately I have no pictures, so will endeavour to make it short. Our lecturer was Cheryl Porter who is a a specialist in pigments and had kindly given us her time as part of the Book and Paper ICON Group move to provide more specialist lectures, which was fantastic as her skills and experience are extensive.
Porter has been spending time in both Armenia and Egypt to study the pigments found in manuscripts over there. She concentrated on red and pink pigments for our lecture as there is such a huge depth of information on the subject as a whole, it could be impossible to cover all of it.
There was a specific type of red pigment found in Armenian manuscripts that they had initially found difficult to locate. After extensive research, Porter found that the pigment was made from female Armenian Cochineal beetles, specifically found in the base of the valley of Mount Arrarat. The earliest knowledge of the use of this pigment was in 1743 and was not just used for colouring manuscripts, but also as a fine dye for fabrics and silks.
Porter duly went on a beetle pilgrimage to the valley of Mount Arrarat and found disappointingly few beetles and almost no-one who knew anything about them. However luck was on her side as she met a father from the Khor Virap Monastary who was familiar with the pigment and was even able to show Porter how to formulate it from the small amount of beetles that they had found, which included keeping them in alcohol for about a year to separate the fats – this would be after slow roasting them in order to dessicate them, so a relatively gruesome process!
The number of beetles has reduced for several reasons, including the building of a chemical factory after the war, and using it as a military area, there is also no control over the animals, which are free to roam the area and eat all the grass, removing any food source for the beetles. Grass is also destroyed by using the land for crop growing, so sadly the beetle colony is reducing year by year.
Thank you to dontai.com for this picture of a cochineal beetle!
As you may know, my Mondays at the moment are spent at the Victoria & Albert Museum in Kensington, working on a variety of conservation projects and helping where possible.
Today this meant continuing conservation work on a selection of comics for a forthcoming exhibition in 2012, though unfortunately it’s not currently listed on their What’s On list. I had started work on these comics a couple of weeks back, but this week saw a more progressive leap forward and will hopefully a move onto the displays next week.
The collection I was working on today were all girls comics from the mid 20th Century, including ones like Mandy, Lady P, Princess Tina and my personal favourite – Girl, the female version of Eagle, which includes items such as how to arrange dried flowers!
The repairs we are doing are paper repairs to the covers and any spreads that might be shown in the exhibitions. Due to the quality of the paper, there are often several tears around the edges of the sheets, and a substantial amount of damage to the spines. Today I also came across a couple of rusty staples that had to be removed, de-rusted and returned to the comics. I have some pictures below:
I’m quite looking forward to seeing the exhibition and the fruits of my labour!!
I’ve had an absolutely fascinating afternoon at the St. Brides Library in Blackfriars. The plan was to visit and attempt to find a project for my MA, but I must confess I got rather lost in the wonderfulness of the place – the building, the books, everything! – and have returned home without a project per say, though I have got some potentials here, a particularly interesting one with split stitching.
I must say a very big thank you to Mr Nigel Roche, who took the time to show me the library and the books and tell me a bit of history about the building and the collection.
Well this afternoon was an absolutely fascinating one spent at the Foundling Museum looking at some of the collection held there.
The Foundling Museum was initially set up as a children hospital for abandoned children in the 18th Century by Captain Thomas Coram. The musician Handel was a friend of Coram and strongly supported the hospital, putting on benefit concerts to raid money for the hospital. These concerts were one of the first public renditions of Messiah, one of Handel’s most famous pieces.
It was a collections if Handel’s work, both print and manuscript that we were looking at today. The pictures below should show some of the amazing books that we were viewing, which included a collection of works which was highly publicised earlier in the year for being a previously unknown work by Vivaldi! The whole afternoon was fascinating!
I know it might be yet another post about the V&A, but at the moment I seem to be spending quite a bit of time there, and have now seen a few interesting things! The National Art Library seems to be a hive on interest and exciting happenings – almost like toys that come to life when you’re not looking, the National Art Library leaps into action on Mondays when it’s closed to the public. A couple of Monday’s ago saw the BBC filming a piece in the library on armour and how it was made, as the library itself makes such a good backdrop – so watch out for that on your screens as I may be in the background!
A week ago I witnessed the changing of the Art Library’s light bulbs – an amazing feat, and (perhaps sadly) I’ve often wondered how they did it. Well now I know – They’re all done on a pulley system – there’s me imagining someone on a big step ladder precariously tittering on the edge whilst attempting to remove the glass globes – this in fact is not what happens at all – someone on the roof of the library winds down the pulley and the chandelier comes down all together so that they can all be changed whilst standing on the floor! I don’t think it happens all that often, so here are a couple of pics!
Lets not forget the quilting circle the meets on a Monday in the library – like I say a bustling place! I haven’t yet managed to join them with my quilt, which I should probably do, as they do look like pros!
Another interesting part of the V&A that perhaps everyone may not notice as they rush to get into the building itself, is the external wall which faces the Science Museum. Here you will see a scattering of craters in the wall itself, looking a little like a deteriorating wall. The wall is far from deteriorating, but it may take a moment to notice the plaque below stating that these are the result of the Blitz during World War II, which have been left as a subtle yet poignant reminder to the war.
And finally, as you walk down Exhibition Road towards the Royal Albert Hall, and take a left just after the V&A, you’ll find a little hubbub of activity around the LSE campus, including The Queen’s Tower, built to mark Queen Victoria’s Golden Jubilee in 1887. Nearly demolished in the 60’s, it was rescued by the Victorian Society and John Betjeman, and is now all that remains of the Imperial Institute that once surrounded it!