Penrhyn Archive Jamaican Estate Slave Accounts

Penrhyn Archive Jamaican Estate Slave Accounts

Penrhyn Archive Jamaican Estate Slave Accounts, Bangor University Archives
c.18th Century
Single section pamphlets of handmade paper, stab-sewn through a plain or marble-paper cover
Project for National Conservation Service
Report written by Mary Garner

DECONTAMINATION, CONSERVATION & DIGITISATION

The items treated in this project come from the Penrhyn Estate archive, deposited at the Bangor University Archives in North Wales. The project included a series of 32 paper account pamphlets from Jamaican estates. The accounts include names, roles and other details of slaves working on the estates and as such are of considerable significance historically and for their descendants researching their family histories. They are striking and disturbing documents, with slaves ‘accounted’ for as resources; for example death is referred to as a ‘decrease in slaves’ and birth as an ‘increase in slaves’.

The items have suffered from extensive water damage and damp, causing excessive mould growth, fading, weakness and discolouration. The project aim was to decontaminate and stabilise the collection and to digitise the account papers. The programme of digitisation was carried out after cleaning but prior to conservation treatments. This enabled capture of the documents in their found state and so that any repairs did not interfere with legibility of the text. Digitisation would also minimise unnecessary handling of items in the future, which while strengthened would remain vulnerable.

The main issues within this project were the presence of fugitive iron gall inks and mould damage. Iron gall ink is prone to fading and deterioration due to instability inherent in the ink composition and the varying recipes it has been historically made with. Since 2004 Mould has been classed as a Category 1 risk to health as assessed under the Health and Safety Hazards Rating System (HHSRS) – the same class as asbestos for example. The HHSRS risk assessment has been legislation in England & Wales since 2006, under the Health & Safety Act. The material in this collection had considerable mould infection and presented a definable risk to staff and users. For this reason it was vitally important to remove mould growth and endeavour to denature the spores remaining in the paper. Mould damage and bacteria cause heavy darkening and discolouration which renders documents illegible over time, in some cases causing a problem with digitisation.

The items comprised single section pamphlets of handmade paper, stab-sewn through a plain or marble-paper cover. The paper had become very fibrous and fragile and easily prone to further damage from handling. Many had large areas of loss and some pages had become stuck together. The sewing structures had disintegrated and in some cases no longer held folios into signatures.

Cleaning was carried out with soft brushes and a museum vacuum where applicable, on a Bassaire extraction unit with an ultra fine ULPA filter. Due to the weakened state of so many of the paper documents and their covers, strengthening and stabilisation was achieved by consolidation of fibres and support and repair to areas of loss and damage. Consolidation using 1% hydroxpropycellulose (‘Klucel G’) in isopropanol had the added advantage of safely denaturing the mould spores in the fibres in the treated areas. Klucel G 3% in isopropanol was also used as an adhesive for lens and Japanese tissue repairs to tears and areas of loss.

The old paper covers were in severely degraded condition and while some could be repaired, nonetheless they would continue to be weak and not provide suitable protection. On this occasion it was decided to commission new hand-made marble papers for new covers. The marble-papers were lined with an archival quality paper to make them slightly stiffer and the cleaned, digitised and repaired pamphlets were re-sewn into them. Archival sleeves were also made for each account to be housed in.

On Eagle’s Wings

Today I was back at the V&A for the first time in the New Year – it’s always nice to return after a break and find familiar faces, so it was a happy return!

The day was also boosted by seeing On Eagle’s Wings exhibition at the museum. This is an exhibition on comic books that myself and a collegue have been working on for the last month or so, each of us doing paper repairs on the covers and display spreads of the comics. Having been involved since the start of the conservation work, it was really nice to see the exhibition come to fruition.

Due to copyright issues, I was not able to get any close-ups of the comics themselves, but in the images below you can see the general layout. It is located outside the Twentieth Century gallery and takes up four of the cabinets there. One of the cabinets is specifically dedicated to the girls comics, which I worked a lot on. Girl is the counterpart to Eagle, which is the key comic book for the exhibitions. The latter was an extremely popular boys comic whereas Girl was one of the leading girl’s comic books, including such items as Wendy & Jinx (a detective duo) and how to do flower arrangements.

I was pleased to see that of those comics that I had worked on, I was not able to see the paper repairs, which is a good sign!

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My first week of college

Sorry I have not been around recently, Kelly from May Day Studio, kindly nudged me for an update on starting at college, and as I have now completed my first week, it seemed like a good moment to let you know what has been happening!

This is my college, Camberwell College of Arts, where I am studying Book Conservation. The building itself used to be a boy’s grammar school, but it’s now all part of the London Arts College.

The first week included a lot of introductions to what lies ahead. We also launched straight into the basics of the chemistry we will need, including the structure of an atom! A little daunting to begin with, but also exciting. Thursday included a trip to the Horniman Museum in Forest Hill, for an introduction to their ‘Handling Collection’, which was very interesting. The museum itself is beautiful and on fantastic grounds – apparently they have some great Christmas events, including carols by candlelight, which has always been a favorite of mine!

We spent all of Friday in the studio, which you can see above, its a fantastic space, and kitted out especially for the book conservators. We all have our own desk space and have been over the do’s and don’ts of the studio – such as no pens, nail varnish or perfume! The former may damage the book you’re working on, and the latter will prevent you from smelling any rotting pages!!

We then got straight down to making some small pamphlet bindings, which you can see below. The greener one is made with two sections, using a very nifty technique of folding the cover in the middle to allow you to sew the two sections to the cover without any glue!

Anyway – tomorrow sees the beginning of a series of lectures on European Hand Made Papers, which should be really interesting, so I will report back on them next week!